Demonstrations of
Auditory Illusions and Tricks

2nd Edition

Contents Introduction Chapter 1 Chapter 2 Chapter 3 Chapter 4
Chapter 5 Chapter 6 References Archives Demo Index Top Page


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References

Akerboom, S., ten Hoopen, G., Olierook, P., & van der Schaaf, T. (1983).
Auditory spatial alternation transforms auditory time.   Journal of Experimental Psychology: Human Perception and Performance, 9, 6, 882-897.

Burns, E.M. (1981).
Circularity in relative pitch judgments for inharmonic complex tones: The Shepard demonstration revisited, again.   Perception & Psychophysics, 30, 467-472.

Ciocca, V. & Bregman, A.S. (1987).
Perceived continuity of gliding and steady state tones through interrupting noise.   Perception & Psychophysics, 42, 476-484.

Hall, G.S. & Jastrow, J. (1886).
Studies of rhythm.   Mind, 11,55-62.

Halpern, L. (1977).
The effect of harmonic ratio relationships on auditory stream segregation.   Unpublished research report, Psychology Department, McGill University.

Kanafuka, K., Tanaka, S., Nakajima, Y., & Sasaki, T. (1996).
An illusory transfer of temporal gaps between crossing tones.    Journal of the Acoustical Society of America, 100, 4, 2683.

Kubovy, M. & Daniel, J. (1983).
Pitch segregation by interaural phase, by momentary amplitude disparity, and by monaural phase.   Journal of the Audio Engineering Society, 31, 9, 630-634.

Kuwano, S., Namba, S., Yamasaki, T., & Nishiyama, K. (1994).
Impression of smoothness of a sound stream in relation to legato in musical performance.   Perception & Psychophysics, 56, 173-182.

McPherson, L., Ciocca, V., & Bregman, A.(1994).
Organization in audition by similarity in rate of change: Evidence from tracking individual frequency glides in mixtures.   Perception & Psychophysics, 55, 269-278.

Murakita, Y., Uesako, N., & Nakajima, Y. (1997).
An endlessly ascending or descending scale consisting of pseudo-noises (in Japanese).   Trans. Tech. Com. Psycho. Physio. Acoust., H-97-93.

Nakajima, Y. (1987).
A model of empty duration perception.   Perception, 16, 485-520

Nakajima, Y., ten Hoopen, G., & van der Wilk, R. (1991).
A new illusion of time perception.   Music Perception, 8, 431-448.

Nakajima, Y., ten Hoopen, G., Hilkhuysen, G., & Sasaki, T. (1992).
Time-shrinking: A discontinuity in the perception of auditory temporal patterns.   Perception & Psychophysics, 51, 504-507.

Nakajima, Y., Minami, H., Tsumura, T., Kunisaki, H., Ohnishi, S., & Teranishi, R. (1991).
Dynamic pitch perception for complex tones of periodic spectral patterns.   Music Perception, 8, 291-314.

Nakajima, Y., Sasaki, T., Kanafuka, K., Miyamoto, A., Remijn, G., & ten Hoopen, G. (in preparation).
Illusory recouplings of onsets and terminations of glide tone components.   Perception & Psychophysics.

Remijn, G., Nakajima, Y., & ten Hoopen, G. (submitted).
The split-off effect and the perception of auditory continuity.

Sasaki, T. & Nakajima, Y. (1996).
An illusory reconstruction of auditory elements.   Journal of the Acoustical Society of America, 100, 4, 2751.

Sasaki, T. (1980).
Sound restoration and temporal localization of noise in speech and music sounds.   Tohoku Psychologica Folia, 39, 79-88.

Shepard, R.N. (1964).
Circularity in judgments of relative pitch.   Journal of the Acoustical Society of America, 36, 2346-2353.

Simons, M. (1995).
Time-swelling: an incomplete heterophonic induction in a non-repetitive design.   Unpublished Master's thesis, Leiden University.

Suetomi, D. & Nakajima, Y. (1998).
How stable is time-shrinking?   Journal of Music Perception and Cognition, 4, 19-25.

ten Hoopen, G., Vos, J., & Dispa, J. (1982).
Interaural and monaural clicks and clocks: Tempo difference versus attention switching.   Journal of Experimental Psychology: Human Perception and Performance, 8, 3, 422-434.

Tougas, Y. & Bregman, A.S. (1985).
The crossing of auditory streams.   Journal of Experimental Psychology: Human Perception and Performance, 11, 788-798.

Warren, R.M. (1999).
Auditory perception: A new analysis and synthesis.   Cambridge: Cambridge University Press.

 

 

 

 

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Acknowledgments

We are grateful to Kengo Ohgushi, Kazuo Ueda, Hideki Takaso, for valuable comments.





Contents Introduction Chapter 1 Chapter 2 Chapter 3 Chapter 4
Chapter 5 Chapter 6 References Archives Demo Index Top Page