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A Study of the Buddhist Stone Reliefsof Mt. Hiko and the Influence of Shugendo in the Kyushu Region
Mikako Tomotari
Kyushu University
Abstract
Shugendo, which prospered during Japan’s Middle Ages, valued ascetic practices and
fused mountain worship with Taoism, Shinto, Buddhism, Animism, astronomy, and
medicine. However, since it was transmitted via oral tradition from one generation
to the next, limited evidence can be found. Therefore, this essay analyzes 3d imaging
data of stone reliefs found at Mt. Hiko, located in the Kyushu region of Japan, to
discern whether the carvings depict certain deities and how the Sanskrit characters
found in the moon circles represent Shugendo thinking. In addition, it examines
how the influence of Shugendo art spread throughout the Kyushu region, Kiyomizu
(Kagoshima Prefecture), and Aoki (Kumamoto Prefecture) as well as reassesses its
cultural significance. With regard to the former, the results show that a relief of a seate
Amitabha was engraved between two other deities: the Mahaasthaamapraapta and
Avalokite?vara. Concerning the latter, the findings reveal that these were the locations
of Amitabha worship by the esoteric Tendai sect, which revered “the water” (rivers) and
represented an association among Mt. Hiko, Kumano, and Aoki
Keywords
Shugendo – 3d – sculpture – Mt. Hiko – Japan