Geng-Yan Jhang (Human Science International Course) was awarded Sempre Award at ICMPC17-APSCOM7
2023.09.01
Awards
* The language used in the event is Japanese. Kyushu University Design Library holds a seminar on the renovati…
In the third edition of ‘Music and the Non-Human’, we present a performance using the shō. This in…
The Graduate School of Design, Kyushu University is pleased to present Atau Tanaka, a musician and researcher …
London-based composer and musician Tomas Nordmark and Paris-based musician and visual artist Per Hüttner have …
The Acoustic Design Course aims to cultivate individuals with comprehensive problem-solving skills in a wide range of fields, such as sound-related arts, sciences, and technologies. Through subjects in four systems: Design Science, Design Engineering, Design and Production, and Cultural and Social Design, students acquire and deepen their specialized knowledge and develop their ability to realize their sound design sensibilities, acoustic design to create a sonic environment adaptable to humans, the improvement of the quality of acoustic information, and the creation of art and culture related to sound. Through these activities, students acquire the ability to approach multiple aspects of design objects from the viewpoints of culture, environment, and information related to sound, and to pioneer new fields of design related to sound.
Students will learn about the characteristics and issues of sound culture by utilizing their knowledge and practical skills related to the history and culture of sound and music, work production, and expression theory and techniques.
Based on a foundation of mathematics and engineering, students will learn about the analysis, control, and evaluation of sound, the design of sound environments suitable for all people, and the proper processing and transmission of acoustic information.
Students will learn about human information processing from a scientific perspective, including the perceptual system and physiological mechanisms related to human audiovisual perception and communication through speech.
(Photo: Research and Development Center for Five-Sense Devices)
The course provides practical education in basic and applied research and the production of works covering a wide range of sound-related arts, sciences, and technologies. First, through the Course Core Subjects, students will acquire the ability to plan and engage in research and production that contributes to the creation of sound-related art and culture, the creation of human-compatible acoustic environments, and the improvement of the quality of acoustic information. In addition, through electives, students acquire the ability to integrate and apply specialized knowledge and solve various problems related to acoustic design. After acquiring various practical skills through Studio Projects and Design Practice, students submit a master's thesis or a master's work.
Hall Management Engineer (HME): is a theater manager who plays a role in coordinating the activities of the many professionals working in cultural and artistic facilities such as theaters and music halls.
What is required of this person is,
(1) Engineering knowledge of stage mechanisms, sound and lighting,
(2) Knowledge and sensitivity about culture and art,
(3) Knowledge of public policy for the promotion of regional culture and arts,
(4) Plan and implement regional culture and art promotion projects
the ability to oversee a wide range of these fields and able to perform comprehensive management and operation of the facility.
Name | Position | Field of Specialization |
---|---|---|
KABURAGI Tokihiko | Professor | Speech Information Processing |
OMOTO Akira | Professor | Applied Acoustical Engineering |
SAMEJIMA Toshiya | Professor | Acoustic Engineering |
TAKADA Masayuki | Professor | Psychoacoustics, Environmental Acoustics |
JO Kazuhiro | Associate Professor | Media Arts |
KAWAHARA Kazuhiko | Associate Professor | Performance Evaluation of Acoustic Engineering System |
NISHIDA Hiroko | Associate Professor | Musicology, Music Theory & Analysis, Music Culture |
REMIJN, Gerard Bastiaan | Associate Professor | Perceptual Psychology |
UEDA Kazuo | Associate Professor | Psychology of Hearing |
YAMAUCHI Katsuya | Associate Professor | Psychoacoustics, Noise Control Engineering |
YOSHINAGA Yukiyasu | Associate Professor | Signal Processing, Image Processing |
HASUO Emi | Assistant Professor | Cognitive science, Psychology of Music |
INOUE Naohisa | Assistant Professor | Architectural Acoustics, Computational Acoustics |
JAMIESON, Daryl | Assistant Professor | Composition, Aesthetics of Music |
MURAKAMI Yasuki | Assistant Professor | Auditory Information Processing |
SOMURA Mizuki | Assistant Professor | Musicology, History of Japanese Music |
WAKAMIYA Kohei | Assistant Professor | Speech Science |
They are expected to play an active role in various companies related to sound, such as manufacturers of acoustic and communication equipment, electric appliances, musical instruments, etc., architectural acoustics and noise control-related, software and communication-related, and companies' research laboratories.